A Digital Trip to Boulder, Colorado
August 2-5, 2001
Central City and the Opera
(Click on Image for Enlarged View)
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The Courthouse
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The Church Across the Street
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Victorian Store Fronts
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Williams Stables, Site of the Pre-curtain Lecture
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Hal French Presents the Pre-curtain Lecture
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The Central City Opera House Building
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The Opera House Entrance
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The Show Curtain for Gloriana
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Joyce Castle as Gloriana takes a bow
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The Opera House Ceiling
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Trompe l'Oeil Wall Decoration
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Historical Plaque
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During my
visit, in addition to dinners in fine restaurants and the usual
round of sight-seeing, Don and I attended two performances of the
Central City Opera: The first American staging of Benjamin
Britten's coronation opera, Gloriana, and a new work by American
composer Mark Adamo, Little Women, based on the novel by Louisa
May Alcott.
Central City is a charming site to experience opera, and
the performances were "glorious". I have been wanting to see Gloriana
on stage ever since I acquired a recording in the mid 60's of the
Courtly Dances from Act II done by Julian Bream. The performance in
Central City did not disappoint. The theatre is very small, about 550
seats I am told, and we were on the 5th row side, very close to the
stage. The singers, the sets, especially the costumes, and the stage
direction were all first class. Gloriana is a dramatically
compelling work, and the final scene with Joyce Castle as Elizabeth was
shattering. Many people in my vicinity, including myself, were moved to
tears at the end as an aged Elizabeth confronted her dilemma of country
vs. love, slowly bathed in a shower of fluttering red rose petals. I
hope that, now there is a production around, this opera might begin to
have a life in this country. It certainly worked in Central City. I
might mention that Timothy Noble as Cecil was a standout vocally, as you
would expect. Little Women is a completely
different work, and I admit I was somewhat skeptical. But the music was
very suitable to the story, and the adaptation of the novel, which I
have NOT read, I found very entertaining as it focused on the character
of Jo as a surrogate of Louisa May Alcott and her recollections of how
"perfect things were." The drama of this piece was Jo, her
reluctance to change, and her need to change anyway. As sister Meg
reminded us often in her aria: "Things Change, Jo!" Tenor Chad
Shelton as Laurie was a standout in a strong cast, and Stacie Rishoi as
Jo was perfect for the difficult part. All in all, it was a lovely
evening. The Houston premier of Little Women is scheduled
to be seen on PBS this fall, and a new recording will be out in late
August, 2000. I found a listing on Amazon.com.
During the intermission of Little Women, Don and
I were able to schmooze a bit with Hal French, the conductor of Gloriana.
He is married to Sylvia McNair, and you may know him as a conductor in
St. Louis. He was pleased to know that we enjoyed his performance so
much.
Unless otherwise indicated:
All Content © Copyright 2001 by Edward P. Flaspoehler, Jr.
All rights reserved.
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